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Showing posts with label Joe Manganiello. Show all posts
Showing posts with label Joe Manganiello. Show all posts

Sunday, April 15, 2018

Cindy Prascik's Review of Rampage







































Dearest Blog: Yesterday it was off to Marquee Cinemas for Dwayne Johnson's latest adventure, Rampage.
 
Spoiler level here will be mild, nothing you wouldn't know from the trailers.
 
When mutant creatures attack Chicago, it's up to Primatologist!Rock and Geneticist!Moneypenny to save the city.
 
Rampage is one of those movies that is exactly as advertised. It's as dumb as a box of rocks, but if you didn't get that before you shelled out for a ticket, you couldn't have been paying attention. 
 
Dwayne Johnson is his usual charming self in the lead. Carrying action flicks is old hat for him by now, and he does it capably. Naomie Harris is a delight, though she's fighting well below her weight class here. The supporting cast boasts a plethora of familiar faces, including effrey Dean Morgan (playing a yet another character you wish would just shut up already), Joe Manganiello, and Will Yun Lee. All have limited screen time and, in particular, I wished Lee had had more to do. The beasts would have been plenty dangerous sans mutation: a gorilla, a wolf, and an alligator. Amplify their size and add a few scary perks (quills, anyone?), and, well, you couldn't blame Chicago for being terrified. The creature effects look pretty decent most of the time, though there's some wonky CGI scattered throughout the movie. Rampage features plenty of well-paced action to offset clunky dialogue and ham-handed delivery, but, sadly, the movie's humor uniformly aims at the lowest common denominator. (It's so bad I was saying the "funny" bits in my head before they happened.)
 
Rampage clocks in at 107 minutes and is rated PG13 for "sequences of violence, action, and destruction, brief language, and crude gestures."
 
Despite holding few surprises, Rampage is a fun way to kill a couple hours indoors until spring finally arrives...assuming it ever does. 
 
Of a possible nine Weasleys, Rampage gets five.
 
Until next time...


Saturday, October 27, 2012

MOVIE REVIEW: MAGIC MIKE

MAGIC MIKE




Channing Tatum stars in this drama following an upstart male stripper (Alex Pettyfer) who is mentored by a veteran dancer, played by Tatum. Steven Soderbergh directed from a script by Reid Carolin, whose screenplay was inspired by Tatum's work as a stripper before he made it in Hollywood. Matthew McConaughey, Matt Bomer, Joe Manganiello, Cody Horn, and Olivia Munn co-star. ~ Jeremy Wheeler, Rovi

Director: Steven Soderbergh

Cast: Channing Tatum, Alex Pettyfer, Matthew Bomer, Joe Manganiello, Matthew McConaughey

Release Date: Jun 29, 2012

Rated R for language, Brief Graphic Nudity, Pervasive Sexual Content and Some Drug Use

Runtime: 1 hr. 50 min.

Genres: Comedy

Review:

Magic Mike has a certain audience in mind and needless to say I’m not quite the demographic. Regardless, Steven Soderbergh’s take on the world of male strippers is surprisingly well made and acted. Soderbergh’s film is a visually energetic and decadent look into a world which is all about appearance but ultimately hollow. The story itself feels like many a rock star film with similar trajectory, pitfalls and moments of clarity for the main character. Sprinkle in a bit of Saturday Night Fever with plenty of male thongs and assless chaps. In the lead Channing Tatum delivers his best performance of his career. He’s naturalistic and incredibly comfortable in the role, for obvious reasons, displaying the conflicted nature of his character. Matthew McCounaughey feels equally comfortable as the self deluded owner of the club. It’s the most committed I’ve seen him in a role in a long while, probably because he felt a certain connection with the character. Alex Pettyfer is impressively non descript for the first half of the film and utterly wasted in the 2nd, the transition feels unnatural and the performance doesn’t help. Cody Horn is even worse as her sister with some truly terrible displays of acting. The remaining chiseled and greased cast is mostly relegated to the background, stripping to insanely complex chorography especially when you consider it’s supposed to be a seedy male strip club. I do give the film credit for not taking the easy road, this could have easily been lighthearted fluff like Striptease or Showgirls.

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